Dragon’s Tooth (40” x 30”) and The Shape of Water Upstream & Downstream (56” x 42” each), Christine Klassen Gallery
Lithium #6 | Division (2019), 34.5” x 45.5” x 4” Lightbox, Private Collection
Kim’s General Store Redux (Lightbox) , 25.5 x 33.5 x 4, Edition 2/5, Christine Klassen Gallery
Razorback, 25” x 33” x 3” Lightbox, Private Collection
Glacial Terminus Split | Skayuk Peak, 42” x 42”, Private Collection
Moreland Elevator Revisited 30” x 40” & Three Barns 30” x 30”, North Vancouver, Private Collection
Art Market San Francisco (2019), courtesy of Hall | Spassov Gallery (Plexiglass Face Mount)
Seven Sentinels II, 42” x 86” Artist Proof, Private Collection
Light, Reflection and Shadow (2020), Winchester Galleries, Victoria (Plexiglass Face Mount)
Lithium #3 Off Ramp and Lithium #14 Koi (2020), Chase Edwards Contemporary, Delray Beach, FL (Aluminium Mount &Framed)
Light, Reflection and Shadow (2020), Winchester Galleries, Victoria (Plexiglass Face Mount)
Gingerbread House | Bargilya, 42” x 42”, Private Collection
ELEMENTAL | ICE (2019), Kimoto Gallery, Vancouver
HERD (2017), Kimoto Gallery, Vancouver
Lost Together (2018), Christine Klassen Gallery, Calgary
Lost Together (2018), Christine Klassen Gallery, Calgary
HERD (2017). Hall Spassov Gallery, Bellevue
HERD (2017). Hall Spassov Gallery, Bellevue
HERD (2017), Kimoto Gallery, Vancouver
HERD (2017), Kimoto Gallery, Vancouver
HERD (2017), Kimoto Gallery, Vancouver
HERD (2017). Hall Spassov Gallery, Bellevue
HERD (2017), Gurevich Fine Art, Winnipeg
HERD (2017), Gurevich Fine Art, Winnipeg
DaySleeper (2015), Kimoto Gallery, Vancouver
DaySleeper (2016), Christine Klassen Gallery, Calgary
ELEMENTAL | ICE (2019), Kimoto Gallery, Vancouver
Cadillac Hotel & Botha Mercantile (2016), 36” x 36” Plexiglass Facemounts, Wesgroup Avalon 3
DaySleeper (2016), Christine Klassen Gallery, Calgary